Saudi artist Donia Al-Saleh has a point of view about plastic exhibitions: promotion of the present and coronation of the absent.

The relevant authorities have shown considerable interest in the visual arts. Artist Dunia Al-Saleh offers her perspective on preserving the unique character and national identity of Saudi art, stating: "It shouldn't be influenced by global market trends if we want to attract attention and achieve international recognition. In recent years, the visual arts scene has witnessed a surge in activity, with numerous galleries and exhibitions. While this is positive and healthy, it sometimes conflicts with the quality of the exhibitions and the content they offer. Unfortunately, some galleries prioritize quantity over substance, which is detrimental to art and the cumulative development of the visual arts movement. To achieve a balance between promotion and recognition, we must present valuable exhibitions featuring works with meaningful content and the participation of talented and professional artists. This requires genuine collaboration between the Ministry of Culture, the Saudi Society for Fine Arts, and the Fine Arts Committee of the Saudi Arabian Society for Culture and Arts, along with coordination and follow-up between these entities and the galleries. Regarding the marketing of visual art, it's generally accepted that paintings are considered assets, like land and a house, and their value increases according to the artwork's content and the artist's reputation." In addition to the history of the artwork and the materials used, we in Saudi Arabia and the Gulf in general are governed by global markets, and therefore what happens in the global art market is reflected on us; It influences and is influenced... This is why contemporary art and its production have dominated the stock market, and the hanging banana painting became a symbol of fine art in 2019. Now, for Saudi art and its market to be secure, it must maintain its distinctiveness and national identity. This is what distinguishes us and allows the authenticity of our art to reach a global audience, rather than slipping into artistic trends that have become questionable, offering nothing but ugliness. Regarding ensuring a promising future for them in light of the neglect shown by relevant authorities towards these exhibitions, there is good interest from those concerned with visual arts in general, through the establishment of colleges, institutes, exhibition halls, and events targeting artists of all ages, in addition to programs supporting talented individuals. However, the problem lies in some administrations governed by favoritism and personal connections, regardless of the capabilities and potential of this or that artist. Therefore, all artists, especially those who are ignored for the aforementioned reasons, are waiting for opportunities to exhibit and present their creativity and art. This will only be achieved if galleries and their administrations fulfill their professional duties and role towards art and artists.